Workshops
Igralčeve Veščine - Delavnica
7.3.2026 10:00 - 14:00, Viba Film, prostor P14
Na delavnici Igralčeve veščine bodo udeleženci pridobili praktična znanja ter razvijali ključna orodja, ki predstavljajo nepogrešljiv del igralskega procesa. Korak za korakom bomo vodeni skozi igralsko pot — od prvega srečanja s tekstom do končne izvedbe.
Učili se bomo, kako:
-
doseči sproščenost ter razviti telesno in čustveno pripravljenost
-
najti in razvijati svoj glas
-
vzpostaviti pristen stik s soigralcem
-
utelesiti tekst in oblikovati resničen lik
Delo temelji na Strasbergovi in Meisnerjevi metodi ter pristopu Ute Hagen, ki jih mentorica prepleta v živ, sodoben in praktičen igralski proces, oblikovan skozi dolgoletne izkušnje v gledališču, filmu in na televiziji.
Vsak udeleženec bo predhodno prejel prizor, ki bo služil kot osnova za praktično delo.
Delavnica ponuja varen in spodbuden prostor za raziskovanje ter je namenjena tako začetnikom kot tudi že delujočim igralcem, ki želijo poglobiti ali osvežiti svoje znanje.
Delavnica bo potekala v slovenščini in angleščini.
Potek delavnice:
-
Sproščanje
Kako doseči nevtralno, odprto stanje, ki igralca pripravi na delo. Poudarek je na telesni in čustveni pripravljenosti, prisotnosti ter odzivnosti. -
Prebujanje igralčevega glasu – delo z glasom, telesom in dihom
Kako prebuditi glas ter ga povezati z dihom in telesom. S pomočjo zavedanja telesa in nadzora diha igralec raziskuje resonanco ter vzpostavlja prisotnost, sproščenost in fleksibilnost v ustvarjalnem procesu. -
Povezovanje s soigralcem
Kako delati s partnerjem v prizoru, biti resnično prisoten, poslušati in se odzivati v trenutku. Poudarek je na odnosu in gradnji zaupanja. -
Delo s tekstom
Kako pristopiti k tekstu, prepoznati njegovo strukturo ter iz besed razviti lik. Igralec iz besedila izlušči impulze za akcijo ter skozi improvizacijo raziskuje, kaj lik želi in kaj ga vodi. -
Od besed k dejanjem
Na koncu tekst ni več v ospredju – pomembno je, kaj se resnično dogaja med igralcema na odru ali pred kamero. Delo je usmerjeno v utelešenje prizora, kjer besede postanejo dejanja, v ospredje pa stopi živ odnos med igralcema.
O mentorici:
Nataša Babič je profesionalna igralka iz Ljubljane, ki je 16 let delovala v New Yorku. Zaključila je študij mjuzikla na Performing Arts Studios Vienna ter nadaljevala izobraževanje na The Lee Strasberg Theatre and Film Institute v New Yorku. Po zaključku študija se je pridružila HB Acting Studios, kjer je obiskovala napredni študij dramskih prizorov pri Austinu Pendletonu.
V svojem pedagoškem in umetniškem delu uporablja metodo Leeja Strasberga, ki jo organsko prepleta z Meisnerjevo metodo ter pristopi Stelle Adler in Ute Hagen.
Vrsto let je nastopala na Off-Broadwayu in Off-Off Broadwayu. Ena njenih ljubših vlog je bila impresionistična slikarka Mary Cassatt v predstavi The Independents, uprizorjeni leta 2019 v Jerry Orbach Theatre . Njeno zadnje Off-Broadway sodelovanje je bilo v potopitveni predstavi Tammany Hall v SoHo Playhouse pod režijo Alexandra Wrighta in Darrena Leeja Cola.
Poleg gledališča je razvijala tudi kariero na filmu in televiziji ter redno sodeluje v reklamnih produkcijah. Igrala je glavno vlogo v grozljivki Dark Tarot, stransko vlogo v neodvisnem filmu Life Is Too Short ter nastopila v trilerju Gunpoint. Sodelovala je tudi v produkciji Hallmark Movie Channel The Dancing Detective: A Deadly Tango, kjer je upodobila glavno stransko vlogo, Mary Aston.
Slovenskemu občinstvu je znana tudi po nastopih v televizijskih serijah Primeri inšpektorja Vrenka in Takšno je življenje.
Z radovednostjo in odločnim optimizmom Nataša zre v prihodnost ter svoje bogate izkušnje z veseljem deli z vsemi, ki jih zanima navdušujoč proces igralskega ustvarjanja.
Pogoji in plačilo:
-
Cena: 85 €
-
Število mest je omejeno.
Actor’s Tools – Workshop
7.3.2026 10:00 - 14:00, Viba Film, Room P14
At the Actor’s Tools workshop, participants will gain practical knowledge and develop essential tools that form a vital part of an actor’s process. We will be guided step by step through the actor’s journey — from the first encounter with the text to the final performance.
We will learn how to:
-
Achieve relaxation and cultivate physical and emotional readiness
-
Find and work with the voice
-
Establish a genuine connection with a scene partner
-
Embody the text and develop a truthful character
The work is based on the Strasberg and Meisner methods, as well as the approach of Uta Hagen, which the mentor integrates into a vibrant, contemporary, and practical acting process shaped by years of experience in theatre, film, and television.
Each participant will receive a scene in advance, which will serve as the foundation for the practical work.
The workshop offers a safe and supportive space for exploration and is intended for both beginners and working actors who wish to deepen or refresh their craft.
The workshop will be held in Slovenian and English.
Workshop structure:
-
Relaxation
How to achieve a neutral, open state that relaxes and prepares the actor for work. The focus is on establishing physical and emotional readiness, presence, and responsiveness. -
Awakening the Actor’s Voice – Work with Voice, Body, and Breath
How to awaken your voice and connect it with breath and body. Through body awareness and breath control, the actor explores where the voice resides in the body, how to create resonance, and how to use voice, body, and breath to establish presence, relaxation, and flexibility for the creative process. -
Connecting with a Scene Partner
How to work with a partner in a scene, be truly present, listen, and respond in the moment. The emphasis is on the relationship rather than the result, and on building trust between scene partners.
-
Working with Text
How to approach a text, recognize its structure, and develop a character from the words. The actor extracts impulses for action from the text and explores through improvisation, what the character wants and what drives them. -
From Words to Action
Ultimately, the text itself is no longer in the foreground — what matters is what is truly happening between the actors on stage or in front of the camera. The work focuses on embodying the text in the scene so that words become actions. The living interaction between actors takes center stage.
About the Mentor:
Nataša Babič is a professional actress from Ljubljana who worked in New York for 16 years. She completed her musical theatre studies at Performing Arts Studios Vienna and continued her education in New York at The Lee Strasberg Theatre and Film Institute. After graduating, she joined HB Acting Studios, where she attended advanced scene study classes with Austin Pendleton.
In her pedagogical and artistic work, Nataša uses the Lee Strasberg Method, organically blending it with the Meisner Technique and the approaches of Stella Adler and Uta Hagen.
For many years, she performed on Off-Broadway and Off-Off Broadway stages. One of her favorite roles was the Impressionist painter Mary Cassatt in The Independents, staged in 2019 at the Jerry Orbach Theatre. Her most recent Off-Broadway collaboration was in the immersive production Tammany Hall at SoHo Playhouse, directed by Alexander Wright and Darren Lee Cole.
In addition to theatre, she has built a career in film and television and regularly appears in commercial productions. She played the lead role in the horror film Dark Tarot and a supporting role in the independent film Life Is Too Short. She was also part of a Hallmark Movie Channel production, The Dancing Detective: A Deadly Tango, where she portrayed a lead supporting role, Mary Aston.
She is also known to Slovenian audiences for her appearances in the television series Primeri inšpektorja Vrenka and Takšno je življenje.
With curiosity and determined optimism, Nataša looks to the future and gladly shares her rich experience with anyone curious about the exhilarating process of acting.
Terms and Payment:
-
Price : €85
-
The number of participants is limited.
